co-director: A.Ganzerli, L.Bourdoiseau, J.Blanquet music: Air prod.Revolvair/Machine Molle Electronic...
Un film sur la tournée européenne du groupe AIR en 2002. infos sur : http://air-movie.hautetfort.com AIR, ELECTRONIC...
The funniest of street performers The funniest of...
Entertainment Reporter Tim Estiloz presents this nostalgic tribute to American Bandstand and it's beloved host Dick Clark. In this PART FOUR, American Bandstand's legacy of great performers from 50's through the 80's is featured - as well as highlighting Dick Clark's enormous influence and contribution to mainstreaming American rock n' roll. This series was written and produced by Tim Estiloz. It was edited by Charlene Love. It originally aired on the TV program American...
Jalen Rose and the ESPN NBA Fastbreak team discuss the top 3 NBA Clutch...
I'm coming at the this topic from a performers angle, though anyone who's ever wanted something and who in their right mind hasn't done that? Can appreciate this. This is a lead up to a project that will even the playing field. PASSION -...
This clip has to be one of the funniest Who's Line is it Anyway clips I have ever seen! Richard Simmons...
if this is an actual song lemme know because i don't recognize it. but whatever they played it sounded beautiful to me. street performers...
read the title, yo. Sorry about the people passing by. It is a street performance after al. streets...
Student musicians perform at dinner. Gijon Cafe...
Montage of Blackface performers and Tv shows portraying African American. Was featured in Spike Lee's film Bamboozled. This is what they thought of us then and still think of us today. It's time for a change. http://revolutionhascome.blogspot.com/ Blackface Montage...
Whose Line Is It Anyway? (also abbreviated Whose Line? or WLIIA) is a short-form improvisational comedy TV show. Originally a British radio programme, it moved to television in 1988 as a series made for Britain's Channel 4. Following the conclusion of the British run in 1998, ABC began airing a version for the United States audience. The show consists of a panel of four performers who create characters, scenes and songs on the spot, in the style of short-form improvisation games. Topics for the games are based on either audience suggestions or predetermined prompts from the host. Both the British and the American shows ostensibly take the form of a game show with the host arbitrarily assigning points and likewise choosing a winner at the end of each episode. The original BBC Radio 4 broadcasts consisted of host Clive Anderson along with two guests and the two regular contestants, Stephen Fry and John Sessions. Clive Anderson stayed on as host when the show moved to television, with John Sessions resuming his role as the only regular in the first series. He subsequently became a rotating regular in the second and third series. Stephen Fry appeared only occasionally on the television series. Ryan Stiles and Colin Mochrie first appeared in the second and third series respectively; they each gradually increased the frequency of their appearances to the point that both appeared in every episode from the eighth series on. Stiles is the most prolific performer on the show, having appeared in 76 of the series' 136 episodes (including compilations). Many of the show's performers, including Paul Merton, Josie Lawrence and Sandi Toksvig, were regulars with The Comedy Store Players, an improvisational group based at London's Comedy Store. Other regular performers from the British version included a variety of British, American and Canadian comedians, notably: * Niall Ashdown * Wayne Brady * Rory Bremner * Chip Esten * Stephen Frost * Archie Hahn * Mike McShane * Greg Proops * Caroline Quentin * Jan Ravens * Brad Sherwood * Tony Slattery * Steve Steen * Jim Sweeney Additionally, the series occasionally featured celebrity guests as performers, including: * Peter Cook * Julian Clary * Eddie Izzard * Phil LaMarr * Rory McGrath * Ardal O'Hanlon * Catherine O'Hara * Jonathan Pryce * Griff Rhys Jones * George Wendt On the original BBC Radio series, the music was provided by Colin Sell, but when the show migrated to television, Richard Vranch (also of The Comedy Store Players) became the musician until the last season of the British show, playing electric guitar and piano. For the tenth series in Hollywood, Laura Hall took over, playing mainly keyboards. Eddie Izzard...
Whose Line Is It Anyway? (also abbreviated Whose Line? or WLIIA) is a short-form improvisational comedy TV show. Originally a British radio programme, it moved to television in 1988 as a series made for Britain's Channel 4. Following the conclusion of the British run in 1998, ABC began airing a version for the United States audience. The show consists of a panel of four performers who create characters, scenes and songs on the spot, in the style of short-form improvisation games. Topics for the games are based on either audience suggestions or predetermined prompts from the host. Both the British and the American shows ostensibly take the form of a game show with the host arbitrarily assigning points and likewise choosing a winner at the end of each episode. The original BBC Radio 4 broadcasts consisted of host Clive Anderson along with two guests and the two regular contestants, Stephen Fry and John Sessions. Clive Anderson stayed on as host when the show moved to television, with John Sessions resuming his role as the only regular in the first series. He subsequently became a rotating regular in the second and third series. Stephen Fry appeared only occasionally on the television series. Ryan Stiles and Colin Mochrie first appeared in the second and third series respectively; they each gradually increased the frequency of their appearances to the point that both appeared in every episode from the eighth series on. Stiles is the most prolific performer on the show, having appeared in 76 of the series' 136 episodes (including compilations). Many of the show's performers, including Paul Merton, Josie Lawrence and Sandi Toksvig, were regulars with The Comedy Store Players, an improvisational group based at London's Comedy Store. Other regular performers from the British version included a variety of British, American and Canadian comedians, notably: * Niall Ashdown * Wayne Brady * Rory Bremner * Chip Esten * Stephen Frost * Archie Hahn * Mike McShane * Greg Proops * Caroline Quentin * Jan Ravens * Brad Sherwood * Tony Slattery * Steve Steen * Jim Sweeney Additionally, the series occasionally featured celebrity guests as performers, including: * Peter Cook * Julian Clary * Eddie Izzard * Phil LaMarr * Rory McGrath * Ardal O'Hanlon * Catherine O'Hara * Jonathan Pryce * Griff Rhys Jones * George Wendt On the original BBC Radio series, the music was provided by Colin Sell, but when the show migrated to television, Richard Vranch (also of The Comedy Store Players) became the musician until the last season of the British show, playing electric guitar and piano. For the tenth series in Hollywood, Laura Hall took over, playing mainly keyboards. Eddie Izzard...
The show was brought to the attention of American comedian Drew Carey, who worked with regular Whose Line? performer Ryan Stiles, a co-star on The Drew Carey Show. Carey convinced ABC to air test episodes in the United States. The show turned into an inexpensive hit and ABC kept Carey on as the host. The show ran on ABC for six seasons, benefiting from the low expectations of its Thursday night time slot, as ABC was not expected to mount a serious threat to what was then NBC's longtime Thursday dominance in the Nielsen ratings. While the network would regularly premi?re two new episodes in one night, there were several occurrences in which some episodes were skipped or postponed until a later date because of the airing of other new shows or specials.[citation needed] The American version was almost identical to the British series, though there was less rotation of games and performers (Ryan Stiles and Colin Mochrie, frequent performers on the British show, were featured in every American episode, and Wayne Brady also became a regular toward the beginning of the second American season). The sketches on the American version also tended to be longer and more drawn out than those in the British version. There was also more involvement of the host in the activities, and occasional celebrity guest appearances. While the points were arbitrarily doled out very deliberately by Anderson on the British series with the pretext that the points mattered, Carey took this to a different level on the American version by explicitly stating at the beginning and excessively throughout the episodes that the points didn't matter and would usually be correspondingly apathetic about assigning them during the show. In addition, the British version was more about improvisational theatre, which meant it would occasionally have games that were designed to show off its contestants' acting range rather than getting laughs. The British version also seemed to take more risks, airing games in which performers spectacularly failed.[citation needed] The last season of the British version in 1998, with Clive Anderson still hosting, was taped in the same Hollywood studio as the American version. This season was first broadcast only in the U.S. on the Comedy Central cable channel. Re-runs of the entire British TV series had been running on Comedy Central since the early-1990s, though some episodes were edited to remove games, rearrange games in a show, or remove potentially offensive content. Repeats of the British series moved to BBC America in April 2006; however, the network has not shown any episodes taped prior to 1994. This, combined with double-runs (two episodes aired back-to-back on a single night), results in many episodes re-airing less than a month after they were last shown. The American version was cancelled by ABC in 2003 because of low ratings; the network aired the remaining un-aired episodes in 2004. In that same year, the ABC Family cable network, which had been airing repeats of the show since 2002, began showing brand-new episodes. New episodes appeared into 2005. ABC Family also played episodes cobbled together from unused footage of older recordings from 2005 to 2006. The show also provided the inspiration for the short-lived Drew Carey's Green Screen Show, which premiered in 2004 on the WB. As of 2 October 2007, the show can be viewed on ABC Family from 12am ET to 1am ET on weekdays, unless a film or other special skips over its timeslot. In January, 2007 UK Channel Five US started broadcasting the US version, whilst on 15 October 2007, Dave started airing the UK Version, although these are edited and do not retain the original placement of advertisement breaks. The channel would only show episodes originally aired between 1993 to 1996. Whose Line Is It...
Cirque du Soleil's Cirque du...
Celebrating the 40th annual Arlington Fly-In! The Arlington Fly-In takes place at Arlington Municipal Airport in Arlington, Washington. Performers Shown In Video: Kent Pietsch - Interstate Kadet Ken Fowler / Eric Hansen - Rocket Aerobatics - Harmon Rocket Renny Price - Su-29 Bud Ross Granley T-6 Texan/ Yak-18/ Yak-55 Frank Donnely - Dr. D's Old time Aerobatics Red Eagle Air Sports - Christen Eagle II John Mrazek - Harvard Mk IV Dan Buchanan - Hang Glider Terry Burch - Zlin 50 LA Kathy Hirtz - Wolf Pitts Julie Clark - T-34 mentor P.S. Youtube left out the last 6 seconds of the video, which provided time to pause and read the performers list. It's originally 4:08 Arlington Fly-In...
With his smooth, crooning, tenor vocals, up-tempo arrangements, and spiritually uplifting themes, Everton Blender (born Everton Dennis Williams) is one of the top performers of Jamaica's dancehall tradition. In addition to receiving the prestigious Chicago Martins International award, Blender received South Florida Reggae/Soca awards as Everton Blender...
A canine freestyle routine done to Travolta dog...
Video de la banda ROUSBEL bajo la direccion de Michel Rivas y la producion de Ligia Ararat Band performers: Victor Burneo Gerardo Olmos Arturo Fernandez Javier Flores Extra performers: Andres Chestnut, Gustavo Viloria, Luís Bravo, Carlos Villalobos, Maria Perozo, Astrid del Moral, Víctor Burneo, Gerardo Olmos, Arturo Fernández, Javier Flores. Direccion de Arte: Raquel Chavez y Mª Gabriela Vilchez ROUSBEL - LECCION N1
This brilliantly incisive and perceptive dance work is disturbing, laugh-aloud funny and tragic. The Sydney Morning Herald, 27/5/06 Characters emerge and unravel in this darkly funny physical exploration of human interactions in confinement, set in a mysterious institution. Five extraordinary dancers unleash virtuosic performances, as powerful as they are precise, playing out shifting relationships of desire and power, of hope and despair. A rich texture of dance, theatre, movement, video and DJ Tr!ps moody electronica make a sophisticated and original work, shifting effortlessly from tender, lyrical moments to brooding menace to explosive physicality. Tanja Liedtke created a number of works across four continents and had received the 2006 Australian Dance Award for Outstanding Achievement in Choreography before her untimely death in 2007. Her company of dancers and collaborators are committed to the integrity of her original and innovative vision and sharing her distinct voice with audiences across the globe. Available for Touring: contact Performing Lines www.performinglines.org.au Creative Team Conceived Directed Tanja Liedtke Choreography Tanja Liedtke in collaboration with the Performers Creative Coordinator Solon Ulbrich Performers Anton, Kristina Chan, Julian Crotti, Amelia Mc Queen, Paul White Sound Design DJ Tr!P Design Gaelle Mellis Lighting Design Gus Macdonald Video Closer Productions Script Development Joshua Tyler Consultant/ Dramaturge Paschal Berry Twelfth Floor
BIG SUR Calif. 1969 A musical documentary of the 1969 Big Sur Folk Festival, filmed in a chaotic style reminiscent of Woodstock. It features performances by Joan Baez, John Sebastian, Crosby, Stills, Nash Young, and the Combs Sisters. Some of the finest folk singers and musicians in the world positioned themselves on the edge of some of America's most glorious scenery for a farewell to summer and a celebration of nonviolence in mid-September. It was the sixth annual Big Sur Folk Festival. The festival, held on the tree-shaded lawns of Esalen, also differed from other recent celebrations in that here the Celebration At...
BIG SUR Calif. 1969 A musical documentary of the 1969 Big Sur Folk Festival, filmed in a chaotic style reminiscent of Woodstock. It features performances by Joan Baez, John Sebastian, Crosby, Stills, Nash Young, and the Combs Sisters. Some of the finest folk singers and musicians in the world positioned themselves on the edge of some of America's most glorious scenery for a farewell to summer and a celebration of nonviolence in mid-September. It was the sixth annual Big Sur Folk Festival. The festival, held on the tree-shaded lawns of Esalen, also differed from other recent celebrations in that here the Celebration At...
READ THIS: Dennis Morgan began working with Neil when he ran the San Francisco office for MCA/Universal Music Group. Neil appeared regularly at the Circle Star Theatre in San Mateo. And they were the most sought after highly prized 'ticket-comps' Morgan had in his promotion arsenal for use with the radio and press crowd. Truth be told, he probably generated more airplay and press in the Bay Area for other--more needy Universal recording artists by leveraging Neil Diamond concert tix. From the 1960s to the 1980s, Neil was one the more successful rock music performers, scoring an extraordinary number of charted hits. Morgan recalls how distressed his mentors at Uni Records were (Russ Regan, Pat Pipilo, and Rick Frio) when Neil decided to leave the label and sign with Columbia Records/Sony Music. At the time, there may have been a turf battle underway in the corporate suite--especially after the late Artie Mogul and his AR staff headed by Don Shane signed Andy Kim (Sugar, Sugar) who had reinvented himself in the image of Neil Diamond with the mid-chart hit single, 'Rock Me Gently'. In the end, Columbia Records won simply by making an offer Neil couldn't refuse. As critic William Ruhlmann once wrote: Neil Diamond,...
READ THIS: Dennis Morgan began working with Neil when he ran the San Francisco office for MCA/Universal Music Group. Neil appeared regularly at the Circle Star Theatre in San Mateo. And they were the most sought after highly prized 'ticket-comps' Morgan had in his promotion arsenal for use with the radio and press crowd. Truth be told, he probably generated more airplay and press in the Bay Area for other--more needy Universal recording artists by leveraging Neil Diamond concert tix. From the 1960s to the 1980s, Neil was one the more successful rock music performers, scoring an extraordinary number of charted hits. Morgan recalls how distressed his mentors at Uni Records were (Russ Regan, Pat Pipilo, and Rick Frio) when Neil decided to leave the label and sign with Columbia Records/Sony Music. At the time, there may have been a turf battle underway in the corporate suite--especially after the late Artie Mogul and his AR staff headed by Don Shane signed Andy Kim (Sugar, Sugar) who had reinvented himself in the image of Neil Diamond with the mid-chart hit single, 'Rock Me Gently'. In the end, Columbia Records won simply by making an offer Neil couldn't refuse. As critic William Ruhlmann once wrote: Neil Diamond,...

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